Thoughts and observations on cultural trends and creative practices are collected. Authors are invited to write in-depth articles and commentaries, as well as accounts and reviews of cultural experimentation.
This article examines four Bio Art projects by artists collaborating with scientists and ecologists, reflecting on their explorations on aspects of gendered culture and anthropocentrism.
This article projects a comprehensive picture of the state of Bio Art practice, collating different types of Bio Art laboratories including biohacking labs built by bio-artists, Bio Art labs constructed by cultural institutions, as well as the Bio Art practice in academic biological labs and the observation of Bio Art labs at the ideological level.
As we enter the third year of PLAY ARTS, the focus, as in past years, is on developing activities that encourage the participation by people of all ages and the new generation of artistic talents. The concept of the word “play” in PLAY ARTS is easy to understand.
C-LAB’s Taiwan Sound Lab created an all-new production, The Book of Sounds: Peter and the Wolf, which is an AR audio book adaptation of this classic children’s symphonic fairy tale.
Srtist LIN Pei-Ying hosted a remote session of the Virophilia Dinner Performance online. Participants joined in from their respective homes, sampling the 4-course meal concocted by the artist.
What is “Bio Art”? What is “moist media”? Through this glossary compiled by speculative designers KU Kuang-Yi and Paul GONG, you may gain more understanding of these terms and their meanings before further looking into the world of Bio Art.
Bio Art has blossomed as an art practice in the last two decades. What kinds of qualities define Bio Art? How do we draw the boundaries of Bio Art in myriads of discussions on intersecting art with science?
A virtual nation, called the “Republic of Cynic”, recently opened its “Embassy in the R.O.C.”, located at Art Space V (former U.S. Aid Building) at C-LAB, the nation comes with its own emblem, flag, anthem, and even passport.
Cultural experimentation anticipates a disobedient attitude that facilitates cultural reversion and creative collision. When experiments become an attitude, a wide spectrum of cultural initiatives and fresh paths will unfold and extend like water, shock, sonic, light, or electric waves.
C-LAB hopes to showcase the cultures of contemporary creators, makers, sharers and participants to nurture a fresh ecology of cultural creation, which emerges as a cloud sharing platform for all contemporary readers, utilizing humanistic digital technologies while incorporating contemporary art perspectives as well as cultural observation to introduce innovation into society through culture.
CLABO, an online journal published by C-LAB, aims to create confluences of cultural creators and serve as a community platform for all partners of cultural experiment projects. With unprecedented cultural experiments, we have started bravely venturing into the future!
Editorial Team
PUBLISHED BY Taiwan Contemporary Culture Lab MANAGING EDITOR WANG HsuanEXECUTIVE EDITOR GAO Huei-Cian
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