Signals attempts to delve into the projects in their current phases with exhibits ranging from questions, drafts, research records, and raw materials to prototypes and semi-artworks.
Wood LIN began his career as a film critic and now has many years’ experience planning and producing documentary films. While his earlier works touched on a diverse range of subjects and issues, he has more recently focused primarily on promoting many diverse and experimental documentary film works that reflect the curatorial perspective.
A shift can be seen in what “Yao-Chi City” handles in terms of bridging between literature and art: How can contemporary art get involved in the world of contemporary paranormal literature?
Cultural experimentation anticipates a disobedient attitude that facilitates cultural reversion and creative collision. When experiments become an attitude, a wide spectrum of cultural initiatives and fresh paths will unfold and extend like water, shock, sonic, light, or electric waves.
C-LAB hopes to showcase the cultures of contemporary creators, makers, sharers and participants to nurture a fresh ecology of cultural creation, which emerges as a cloud sharing platform for all contemporary readers, utilizing humanistic digital technologies while incorporating contemporary art perspectives as well as cultural observation to introduce innovation into society through culture.
CLABO, an online journal published by C-LAB, aims to create confluences of cultural creators and serve as a community platform for all partners of cultural experiment projects. With unprecedented cultural experiments, we have started bravely venturing into the future!
Editorial Team
PUBLISHED BY Taiwan Contemporary Culture Lab EDITOR LIU Yu-ChingMANAGING EDITOR TUNG Yung-WeiEXECUTIVE EDITOR CHUANG Chia-Chuan
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