In the five years spanning 2007 to 2011, numerous relatively young Taiwanese artists around the age of thirty independently showed interest in the relationships between language, memory, and identity.
Why can the term “experiment” be employed in such an extensive manner to refer to artistic practice as it should be by rights? And, what does experiment mean on earth?
This interview, originally appeared on NERO in 2015 and published in 2018, is with the cultural theorist Mark FISHER (aka k-punk) to talk about the idea of the future itself in present-day society.
Cultural experimentation anticipates a disobedient attitude that facilitates cultural reversion and creative collision. When experiments become an attitude, a wide spectrum of cultural initiatives and fresh paths will unfold and extend like water, shock, sonic, light, or electric waves.
C-LAB hopes to showcase the cultures of contemporary creators, makers, sharers and participants to nurture a fresh ecology of cultural creation, which emerges as a cloud sharing platform for all contemporary readers, utilizing humanistic digital technologies while incorporating contemporary art perspectives as well as cultural observation to introduce innovation into society through culture.
CLABO, an online journal published by C-LAB, aims to create confluences of cultural creators and serve as a community platform for all partners of cultural experiment projects. With unprecedented cultural experiments, we have started bravely venturing into the future!
Editorial Team
PUBLISHED BY Taiwan Contemporary Culture Lab EDITOR LIU Yu-ChingMANAGING EDITOR TUNG Yung-WeiEXECUTIVE EDITOR CHUANG Chia-Chuan
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