From seeing to hearing and from traditional to technological, the forms in which messages are received and interpreted constantly change, but at the core remains man-made choices.
During the Weaving Workshop, the focus was not only on the physical state of weaving, but also on the emotional state of not knowing where to start when confronted with a mess of loose threads.
Yumi GOTO started the series of bookmaking workshop “Photobook as Object” in Tokyo in 2014 and “Masterclass” in 2015. In the interview, she shares with us how she steps into the world of photobooks and starts to organize workshops in Japan.
Cultural experimentation anticipates a disobedient attitude that facilitates cultural reversion and creative collision. When experiments become an attitude, a wide spectrum of cultural initiatives and fresh paths will unfold and extend like water, shock, sonic, light, or electric waves.
C-LAB hopes to showcase the cultures of contemporary creators, makers, sharers and participants to nurture a fresh ecology of cultural creation, which emerges as a cloud sharing platform for all contemporary readers, utilizing humanistic digital technologies while incorporating contemporary art perspectives as well as cultural observation to introduce innovation into society through culture.
CLABO, an online journal published by C-LAB, aims to create confluences of cultural creators and serve as a community platform for all partners of cultural experiment projects. With unprecedented cultural experiments, we have started bravely venturing into the future!
Editorial Team
PUBLISHED BY Taiwan Contemporary Culture Lab EDITOR LIU Yu-ChingMANAGING EDITOR TUNG Yung-WeiEXECUTIVE EDITOR CHUANG Chia-Chuan
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