CHEANG Shu-Lea’s UKI Virus Rising. Photo © C-LAB

CHEANG Shu-Lea’s UKI Virus Rising

Inspired by The Rite of Spring, the exhibition Digital Corporeality explored four aspects of digital corporeality based on different versions of The Rite of Spring choreography. In the first chapter, “Future Body through Critical Lens,” curator CHANG I-Wen screened CHEANG Shu-Lea’s work UKI Virus Rising, a sci-fi alternate reality sequel film to I.K.U., which departs from a roaming virus mutating at an electronic waste dump site. Reiko, a redundant IKU (orgasm) coder, is taken to that dump site by the GENOM company, where she attempts to reboot. From a human held hostage by GENOM, red blood cells are reconstituted to build a BioNet. However, Reiko’s reckless self-coding unexpectedly activates the UKI retrovirus, which continues to replicate. This is where their story begins.
Digital Corporeality virus
DATE2021.12.27
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Cultural experimentation anticipates a disobedient attitude that facilitates cultural reversion and creative collision. When experiments become an attitude, a wide spectrum of cultural initiatives and fresh paths will unfold and extend like water, shock, sonic, light, or electric waves.

C-LAB hopes to showcase the cultures of contemporary creators, makers, sharers and participants to nurture a fresh ecology of cultural creation, which emerges as a cloud sharing platform for all contemporary readers, utilizing humanistic digital technologies while incorporating contemporary art perspectives as well as cultural observation to introduce innovation into society through culture.

CLABO, an online journal published by C-LAB, aims to create confluences of cultural creators and serve as a community platform for all partners of cultural experiment projects. With unprecedented cultural experiments, we have started bravely venturing into the future!
Editorial Team
PUBLISHED BY Taiwan Contemporary Culture Lab
EDITOR LIU Yu-ChingMANAGING EDITOR TUNG Yung-WeiEXECUTIVE EDITOR CHUANG Chia-Chuan

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