Cheongsam (Qipao) of Military Dependents’ Villages

After three years and four months of study, he was able to master the craft and the female owner was a Cantonese-Khmer overseas Chinese that came to Taipei to study western clothing. The cheongsams worn by the mothers at the time are different from the body shape of the waist that we see today. The waist circumference is more relaxed and convenient for family labor. The most obvious difference is the cutting of the front button and the chest line. During the blueprint of the dress, LI, the boss, drew the curve by hand and explained the code word system which was passed down by the master.

Photo by LU Guo-Way
objectmilitary dependents’ villagesC-LAB
DATE2020.02.03

About

Cultural experimentation anticipates a disobedient attitude that facilitates cultural reversion and creative collision. When experiments become an attitude, a wide spectrum of cultural initiatives and fresh paths will unfold and extend like water, shock, sonic, light, or electric waves.

C-LAB hopes to showcase the cultures of contemporary creators, makers, sharers and participants to nurture a fresh ecology of cultural creation, which emerges as a cloud sharing platform for all contemporary readers, utilizing humanistic digital technologies while incorporating contemporary art perspectives as well as cultural observation to introduce innovation into society through culture.

CLABO, an online journal published by C-LAB, aims to create confluences of cultural creators and serve as a community platform for all partners of cultural experiment projects. With unprecedented cultural experiments, we have started bravely venturing into the future!
Editorial Team
PUBLISHED BY Taiwan Contemporary Culture Lab
EDITOR LIU Yu-ChingMANAGING EDITOR TUNG Yung-WeiEXECUTIVE EDITOR CHUANG Chia-Chuan

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